This time round, the non-verbal communication is so much more impactful, thanks to improved animations. That much is obvious, and in the first game, facial animations were sufficiently detailed to demonstrate the emotions felt behind his silence. Kratos is the silent, stoic type of father that spends a lot of his time grunting.

It also helps that the world is so incredibly well-realized, down to every last exhaustive detail and paired with yet another orchestral score that is pure banger after banger - matching the mood of every scene with expert precision.īeyond that, there are some visible updates to the detail afforded to players. The single-shot style triumphantly returns making the entire experience feel like part of a seamless world where the story plays out in real time. Ragnarök plays your feelings like a fiddle, but a well-written story needs the performances and presentation to match, which unsurprisingly this game offers in spades. Add to that the vastly expanded cast, all with their own sets of moral questions to answer, and this seemingly mythological story packs a deep emotional core that Santa Monica hits with pitch-perfect accuracy.Īnd this core strength is emphasized by the great amount of attention paid to its characters - giving each protagonist and antagonist time to communicate their life purpose that drives situations to play out in the ways they do. Now that Atreus is a teenager, his character has a lot more depth that provides unique dynamics to the father/son relationship that tests their bond in real human ways.

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